See also Australian douche ad
(ca. 1900) - Fresca
douche powder (U.S.A.) (date ?) - Kotique douche liquid
ad, 1974 (U.S.A.) - Liasan
(1) genital wash ad, 1980s (Germany) - Liasan (2) genital wash
ad, 1980s (Germany) - Lysol
douche liquid ad, 1928 (U.S.A.) - Lysol douche liquid ad,
1948 (U.S.A.) - Marvel
douche liquid ad, 1928 (U.S.A.) - Midol menstrual pain
pill ad, 1938 (U.S.A.) - Midol
booklet (selections), 1959 (U.S.A.) - Mum deodorant cream ad,
1926 (U.S.A.) - Myzone
menstrual pain pills ad, 1952 (Australia) - Pristeen genital spray
ad, 1969 (U.S.A.) - Spalt
pain tablets, 1936 (Germany) - Vionell genital spray ad,
1970, with Cheryl Tiegs (Germany) - Zonite douche liquid ad,
1928 (U.S.A.)
The Perils of Vaginal
Douching (essay by Luci Capo Rome) - the odor page
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Kotex menstrual pad ad, U.S.A., August, 1921
Theatre Magazine
Would you travel
while menstruating if you had to wash out and dry
the cloth
pad after using it? In a
hotel? In a friend's house? That's what I
thought.
Kotex didn't make the first
throw-away pad but made it more
common right after World
War I.
This ad appeared near the beginning of
Kotex's career. See maybe the first
big Kotex ad and another
small one. And some articles about
the new
thing Kotex was made of,
Cellucotton.
Theatre
Magazine? That spelling seems hoity-toity
but might have fit the people who would
read this monthly. Just look at the ads
below if you doubt me. Never doubt your
MUM. Never.
In addition: A Japanese menstrual art
mystery
- solved?
Like, like, an Anne
Frank tampon? In Japan? Totally!
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Below middle:
The black-and-white Kotex ad grabs
the bottom
half of the left hand column of
the page, which is almost 1/2 the
width of the page. The page
measures 9 1/2 x 12 1/2" (24.1 x
31.8 cm).
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Below right:
Just above the Kotex ad sits this
one for a swimsuit. See it bigger, below.
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Inset with arrow: Making
the ad: someone probably taped the squiggly
cross hatching
onto the ad
and
another drew the line; an
artist drew the picture. Then a worker
photographed the whole page to make a
printing plate.
Finally, a press churned it out with the
rest of the plates to make the magazine.
Sorry, just thought you'd want
to know.
Today someone at a
computer does the layout much
faster - and cleaner.
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Below:
Chances are the woman in the
bathing suit was NOT
using the huge
Kotex pad offered right
below her. If she dared
immerse herself, the menstrual
blood would fight the water
for a place in the bloated pad -
and the blood would leak
everywhere. And unless she used a
homemade tampon
(or sponge)
- unlikely - she couldn't use a
commercial
tampon because Kotex
and Tampax
and others
hadn't sold theirs yet.
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Below:
So where's this funny
Japanese picture in
the ad?
Nowhere! Tricked you! Well,
I want to show you something about
female
beauty in two cultures
below.
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Below:
Who read Theatre Magazine? Read
the text for clues. And look at
her theatrical pose: her
eyes, hands and arms like the
walking woman, below, right,
enlarged all the way at the
bottom. And artificial
- hoity-toity.
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Left:
The woman in the Japanese print
and in the ad have tiny -
delicate? - mouths. The
little beak is common in
early Japanese prints - but only
in pictures of women. Men (below)
are more realistic although the eyes
- well, he's full of hatred
(according to the source, below)
and is an actor. Just like our ad
woman.
Look at the teeth in the
pictures. Japanese women often
blackened their teeth. The
American has white teeth, the home
team ideal.
The man's teeth - white - menace
while peering out below the upper
lip.
Japanese Woman (a
prostitute): Section of
"The Courtesan Hinazuru of
Choi-ya" by Eisui, late 1790s.
The Art Institute of Chicago.
Japanese man, bottom:
Section of "The Actor Tanimura
as Washizuka Yaheiji" by
Sharaku, 1794. Honolulu
Academy of Arts.
Both from Ukiyo-E: 250 Years
of Japanese Art, Neuer and
Yoshida, 1978.
A Japanese menstrual art mystery
- solved?
Instructions
for making Japanese
washable menstrual pads (early
20th century?)
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permission of the author.
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Left: The
woman in the ad walking dramatically
on the beach. Compare her raised
left hand with the hands of the
large woman.
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